A season of 16 plays at three theatres. Morning Matinee Series is catered to student groups. Tours of the theatre spaces is also available upon request. Engage With the Stage Series is where students and teachers interact with our graduate students inside or outside the classroom, upon request.

Interlochen was founded in 1928 and is located in beautiful northwest lower Michigan. Each year, thousands of artists and arts patrons come to Interlochen to experience world-class educational and cultural opportunities. Students study music, theatre, visual arts, film, creative writing and dance, guided by an outstanding faculty and guest artists, and inspired by the scenic beauty of our campus.

The Ironwood Theatre was incorporated in 1988 as an independent, non-profit cultural organization when the building was first leased from the City of Ironwood. The organization assumes all operating costs, maintenance and repairs of the facility. In the absence of local tax support, all operations are funded by membership donations, ticket sales, rental fees, several annual special-event fund raisers, grants from government agencies, along with corporate and private foundations. Area business support in the form of Playbill advertising and program sponsorship provides a key piece of the theatre's financial picture. The Ironwood Theatre is a volunteer based organization with an 11 member Board of Directors, one full-time and one part-time staff, 15 regular volunteer staff members and more than 100 individual event staff members, all of whom donate their time and skills because they believe in, and love the theatre.

Jackson School of the Arts is a non-profit after school program that provides instruction in art, theater and dance.The programs run from 8-32 weeks, but also offered is a large selection of one time events in all areas.

The Jewish Ensemble Theatre(JET) does an annual production of The Diary of Anne Frank by Frances Goodrich and Albert Hackett.

Our Academy of Theatre Arts has been created to provide educational opportunities for all students between the ages of 3 and 103. Throughout the year, we offer classes, workshops and camps that will challenge and encourage students to take risks as they explore limitless possibilities in their own creative process. Participants come together to create, share and develop skills that they'll use both onstage and off.

Whether you want to speak the words of Shakespeare trippingly off the tongue, refresh for your next audition, learn new makeup techniques or strengthen your voice just because you want to do so-we have an opportunity for you!

Welcome to Lake Superior Theatre. When the lights dim , the performers come on stage, and legends from the past seem to come to life right before our eyes, we forget about the long hours it takes to turn a working boathouse into a theatre. The Cast and Crew give up a good part of our short summers to share their amazing talent and artistry each year bringing you new shows and we know you join us in thanking them for keeping the magic of LST alive. As Shelley Russell has said, "This theatre is of the U.P., built like this place has been built, on rock, with industry and pride,
with a need for beauty, with hope, and with reverence for the life and lives around us."

Little Traverse Civic Theatre was born in 1945 when a group of ambitious, talented volunteers organized an acting troupe under the name Petoskey Little Theatre. In January 1946, they presented their first play, You Can’t Take it With You. The group went on to present an average of three plays a year. In the spring of 1960, the group began a two-year reorganization; no plays were produced, but new members were recruited and plans were developed for the future. At this time, the name was changed to Little Traverse Civic Theatre to better represent the area the group served. The new name was then chartered as a Michigan non-profit corporation and later as a federal 501(c)3 corporation. Productions began again in 1962 with The Mouse that Roared.

The Ludington Area Center for the Arts is committed to excellence through:

Events
Exhibits
Programming
Performances
Arts education
Fiscal responsibility
Cultural collaboration
Support for local artists
Facility utilization and preservation

Dedication to the theory and practice of socially engaging theatre, with specialization in collective playwriting and puppet building.

Commitment to place; to the local and specific; to the historical, traditional, and indigenous, as embodiments of universal human experience.

Determination to mount inclusive, affordably priced performances made in partnership with community organizations and held in spaces where the entire community feels welcome.

Conviction that through its work, Matrix is engaged in the struggle for cultural, social, economic and political equality for all.